Vs. is remarkably everything a second album should be but often isn’t. The way it approaches its core material is one of both tight song writing and fully realised identity, wherein heaviness becomes unleashed and brutalised and the softness comes smooth and iridescently beautiful. The triplet of openers- the punk fury of “Go”, the naturally brilliant successor to “Even Flow” in “Animal” and the acoustic charm and campfire drawl of “Daughter”- prove Pearl Jam can not only improve upon a style but give it individual strength to songs in a way that Ten wasn’t capable of. Eddie Vedder and Stone Gossard now appear less focussed on simply retelling Oedipal set to guitar acrobatics, with the myriad of tracks stretching the mindless thrash of “Blood” to the raining down of guitar and vocals on the centrepiece “Rearviewmirror”. Variety doesn’t come now in simply shifting styles, it comes in the way the band approach a song with various walls of electric guitars never sounding alike.
The emergence of lyrical variety is the most prominent aspect ofVs., with Vedder making noticeable strides towards his burgeoning political self. The likes of “Glorified G.” juxtapose uplifting pop to a menacing tale of contrary beliefs of the Redneck ‘Merican, insisting that “I’ve got a gun/’fact I got 2/that’s ok man, ‘cos I love god!”, seeming ever more disturbing when propelled by the slinky southern riff and the uplifting verses and choruses. His emotional state too is laid evermore bare for the public to see- issues with abandonment appear tearful and angst-ridden on “Rearviewmirror”, while fan favourite “Elderly Woman Behind a Counter in a Small Town” articulates sides of Vedder that weren’t prevalent when he was just another kid on the street. As he would later come to put more attention towards these aspects on the visceral “Not for You” or “Corduroy”, here he births despise of the rockstar he’s inadvertently being pushed towards.
The praise for Vs. really does come in spades. For an album like Ten to be followed up with such a brilliant release is confounding in rock & roll, not least because the concept of a ‘sophomore slump’ isn’t relevant. Over the course of only two and a half years, Pearl Jam expanded as songwriters and musicians alike. Of course, to hear Vedder perfect both his beautiful and harsh tones set to a tight and controlled band takes away much of the raw and down to earth charm of Ten, and suffers too does the emotional impact, but that’s far from an issue and more a burgeoning concern. Tight and accessible, Vs. was a worthy follow up that when compared to the difficult and experimental album that would follow, Vitalogy, is the logical and pleasant step forward from Ten. A landmark in the PJ discography and more than worth the time, it wasn’t until a year later that the bleak, extreme and instinctual side of Pearl Jam would rear it’s bruised and filthy head.
Tracklist for Vs.:
1. Go
2. Animal
3. Daughter
4. Glorified G
5. Dissident
6. W.M.A.
7. Blood
8. Rearviewmirror
9. Rats
10. Elderly Woman Behind the Counter in a Small Town
11. Leash
12. Indifference
The emergence of lyrical variety is the most prominent aspect ofVs., with Vedder making noticeable strides towards his burgeoning political self. The likes of “Glorified G.” juxtapose uplifting pop to a menacing tale of contrary beliefs of the Redneck ‘Merican, insisting that “I’ve got a gun/’fact I got 2/that’s ok man, ‘cos I love god!”, seeming ever more disturbing when propelled by the slinky southern riff and the uplifting verses and choruses. His emotional state too is laid evermore bare for the public to see- issues with abandonment appear tearful and angst-ridden on “Rearviewmirror”, while fan favourite “Elderly Woman Behind a Counter in a Small Town” articulates sides of Vedder that weren’t prevalent when he was just another kid on the street. As he would later come to put more attention towards these aspects on the visceral “Not for You” or “Corduroy”, here he births despise of the rockstar he’s inadvertently being pushed towards.
The praise for Vs. really does come in spades. For an album like Ten to be followed up with such a brilliant release is confounding in rock & roll, not least because the concept of a ‘sophomore slump’ isn’t relevant. Over the course of only two and a half years, Pearl Jam expanded as songwriters and musicians alike. Of course, to hear Vedder perfect both his beautiful and harsh tones set to a tight and controlled band takes away much of the raw and down to earth charm of Ten, and suffers too does the emotional impact, but that’s far from an issue and more a burgeoning concern. Tight and accessible, Vs. was a worthy follow up that when compared to the difficult and experimental album that would follow, Vitalogy, is the logical and pleasant step forward from Ten. A landmark in the PJ discography and more than worth the time, it wasn’t until a year later that the bleak, extreme and instinctual side of Pearl Jam would rear it’s bruised and filthy head.
Tracklist for Vs.:
1. Go
2. Animal
3. Daughter
4. Glorified G
5. Dissident
6. W.M.A.
7. Blood
8. Rearviewmirror
9. Rats
10. Elderly Woman Behind the Counter in a Small Town
11. Leash
12. Indifference
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