Both of those last two claims are understandable. Stained Class contains many of the band’s famous songs, such as Exciter and Beyond the Realms of Death, as well as the notorious Better Than You, Better Than Me cover, originally recorded by British progressive rock band Spooky Tooth. As for the influence on speed metal, one would have to think back to the late 70’s. By today’s standards, Stained Class is nowhere near speed metal, but the influence can be clearly seen, especially in the typically blistering guitar solos.
Priest’s fourth album has a lot of potential to become a classic. The main reason for this are the band members, who are all on top of their game. Halford delivers powerful vocals and succeeds in hitting those high notes more than ever, Downing and Tipton are an unmatched twin guitar lead, as well, bringing forth one excellent solo and harmonization after the other. Newcomer Les Binks is quite the solid heavy metal drummer, and an excellent replacement for session player Simon Philips.
Stained Class blasts off with its immediate high point, Exciter, which is highlighted by well-carried out switched between vocal and guitar parts, and a fantastic chorus that has Halford hitting a very powerful high note.
The quality keeps up for a while. White Heat, Red Hot is an excellent offering that is marked by Halford’s pauses in between singing, which gives the song an extra edge. Better By You, Better Than Me has a great groove to it, and is one of Priest’s finer covers, and the title track has nice tempo switches that keep the variety going. The real epic here is Beyond the Realms of Death, and has no intention in hiding it. The title itself, the soft parts that are typical of the song type (interestingly enough, the recurring soft riff was written by Les Binks), and two extended solos all contribute to the feel of the song. Excellently carried out, and rivals Exciter for best song on the album.
Unfortunately, the album is not completely flawless. Especially Downing & Tipton’s guitar leads can start to sound samey towards the end of the album, and Halford can’t seem to stop showcasing those high notes, which might get on the nerves. Song-wise, the middle part is somewhat lacking with Invaders, Saints in Hell and Savage nicely blending in with the album’s sound, but lacking an uniqueness to stand out. This makes Stained Class drag on for just a bit too long in that part. Luckily, Heroes End closes off things on a high note, with differing vocal styles that may somewhat remind of Sad Wings of Destiny’s closer Island of Domination. A blistering guitar solo is presented at the end, and fades out softly, leaving the listener with a fulfilled listening experience.
Judas Priest studio offering #4 proves to be an excellent output, and a high point in the band’s career, containing much of the band’s most enduring material. The band has finally grown fully confident with their trademark style, and this leaves many fantastic results. Though the album has its flaws, Stained Class is one of the best Judas Priest albums from the 70’s, and deserves being picked up.
Tracklist for Stained Class:
1. Exciter
2. White Heat, Red Hot
3. Better by You, Better Than Me [Spooky Tooth cover]
4. Stained Class
5. Invader
6. Saints in Hell
7. Savage
8. Beyond the Realms of Death
9. Heroes End
Priest’s fourth album has a lot of potential to become a classic. The main reason for this are the band members, who are all on top of their game. Halford delivers powerful vocals and succeeds in hitting those high notes more than ever, Downing and Tipton are an unmatched twin guitar lead, as well, bringing forth one excellent solo and harmonization after the other. Newcomer Les Binks is quite the solid heavy metal drummer, and an excellent replacement for session player Simon Philips.
Stained Class blasts off with its immediate high point, Exciter, which is highlighted by well-carried out switched between vocal and guitar parts, and a fantastic chorus that has Halford hitting a very powerful high note.
The quality keeps up for a while. White Heat, Red Hot is an excellent offering that is marked by Halford’s pauses in between singing, which gives the song an extra edge. Better By You, Better Than Me has a great groove to it, and is one of Priest’s finer covers, and the title track has nice tempo switches that keep the variety going. The real epic here is Beyond the Realms of Death, and has no intention in hiding it. The title itself, the soft parts that are typical of the song type (interestingly enough, the recurring soft riff was written by Les Binks), and two extended solos all contribute to the feel of the song. Excellently carried out, and rivals Exciter for best song on the album.
Unfortunately, the album is not completely flawless. Especially Downing & Tipton’s guitar leads can start to sound samey towards the end of the album, and Halford can’t seem to stop showcasing those high notes, which might get on the nerves. Song-wise, the middle part is somewhat lacking with Invaders, Saints in Hell and Savage nicely blending in with the album’s sound, but lacking an uniqueness to stand out. This makes Stained Class drag on for just a bit too long in that part. Luckily, Heroes End closes off things on a high note, with differing vocal styles that may somewhat remind of Sad Wings of Destiny’s closer Island of Domination. A blistering guitar solo is presented at the end, and fades out softly, leaving the listener with a fulfilled listening experience.
Judas Priest studio offering #4 proves to be an excellent output, and a high point in the band’s career, containing much of the band’s most enduring material. The band has finally grown fully confident with their trademark style, and this leaves many fantastic results. Though the album has its flaws, Stained Class is one of the best Judas Priest albums from the 70’s, and deserves being picked up.
Tracklist for Stained Class:
1. Exciter
2. White Heat, Red Hot
3. Better by You, Better Than Me [Spooky Tooth cover]
4. Stained Class
5. Invader
6. Saints in Hell
7. Savage
8. Beyond the Realms of Death
9. Heroes End
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